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​NOTES ON OLEANNA AND BLACKBIRD

7/14/2017

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There's an idea in both of these plays that part of what hurts the women and makes them feel violated is not any physical contact but rather this sense of a towering presence, a man who casts a shadow over them, who is in some way demeaning them just by looking at them. 

Oleanna is written by David Mamet
Black Bird is writen by David Harrower

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Fat Pig - Lessons Learned From the Play

7/12/2017

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First thing that was great about this play - very simple structure, basically a collection of vignettes that very clearly illustrate the beginning, middle and end of a relationship. Also, because the scenes with Tom (the male lead) are largely divided into scenes ABOUT his relationship and scenes OF his relationship, we get a sense of his interior life and what's happening in his head without having to be overly expositional.

Written by Neil Labute



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Fences - Lessons Learned from the Play

7/6/2017

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This is a legendary play, and for good reason. Recently made (even more) famous as a movie starring Denzel Washington and Viola Davis.

Very notable to us because the play is the depiction of a tragic male hero. Someone who can't help but get in their own way. Someone who falls prey to the complications of life and marriage and fatherhood. 

Great exploration of money, fatherhood, marriage, society and maybe most importantly - - DEATH. Also incredible and engaging dialogue. It's also interesting how the main character is so well drawn, in no small part thanks to the way people treat and perceive him.

Written by August Wilson 

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    These outlines are not polished and they are not politically correct. They are bare bones and often do no justice to the script or the writers of said script. Posting the outlines here so they can be easily referenced when working on new pilots.  Also thought they might be helpful to other writers out there.

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