Good single-cam series pilot. Outline on next page... ACT ONE: P.1-13
INT. VARIOUS LOCATIONS We meet Tessa through voice over, and we’re introduced to the suburban moms. EXT. SUBURBAN STREET – DAY A conversation between Tessa and George as their U HAUL barrels down the street. INT. U-HAUL – CONTINUOUS George and Tessa continue their conversatio n re: moms. FLASHBACK We learn why George decided it was time for Tessa to leave NYC. BACK TO U HAUL Tessa explains, in V.O., more about why they moved. EXT. ALTMAN HOUSE – MOMENTS LATER Tessa and George look up at the house. She hates it. There’s also a way to perky neighbor. INT. TESSA’S BEDROOM – MORNING Tessa wakes up. Odd. No sirens. INT. GEORGE’S ROOM- MORNING George has a similar reaction, then accidentally yells across the neighborhood that he has no wife. INT. KITCHEN – MOMENTS LATER George and Tessa talk. We set up school. We also set up his meeting at the country club, as George assures Tessa that it’s probably much fancier than it sounds. EXT. COUNTRY CLUB – DAY George pulls up. It’s very fancy. INT. COUNTRY CLUB – CONTINOUS George meets Noah. We learn more about why he moved here. We also learn that the women in the suburbs dig George. Most importantly, we learn that George really wants to find a good female influence for his daughter. EXT. SUBURBAN STREET – DAY Tessa walks to school. More voice over. Tessa then meets some dudes in a car and is pegged by a sugar free red bull. The act ends as she realizes, “My descent into Suburgatory had officially begun.” ACT TWO: P. 13-19 INT. ROYCE HOME – DAY Dallas welcomes George – who we learn is an architect – into her home. George makes a strange first impression, as his city instincts kick. INT. DALIA’S BEDROOM – CONTINOUS George learns about Dallas’ daughter, and what the construction project is. Ultimately, he arranges for he and Tessa to join Dallas and her daughter at the mall later. The scene ends with Dallas’ assurance that “Everyone loves Dalia.” INT. HIGHSCHOOL HALLWAY – AT THAT MOMENT Dalia meets Tessa. It’s contentious. We then learn that Dalia is Tessa’s assigned “buddy.” EXT. HIGHSCHOOL HALLWAY – ELSEWHERE – CONTINUOUS Tessa and Dalia walk the halls, learning that suburgatory definitely extends into the school. But then Tessa ducks into a bathroom. INT. GIRLS BATHROOM – HOURS LATER We learn through V.O. that Tessa’s been in the bathroom for a pretty long time. Tessa tries to make a friend with a down trodden girl, but she too calls Tessa a lesbian. ACT THREE: P. 20-36 EXT. SUBURBAN STREETS – DAY Tessa is on her way to the train station when she’s picked up by George, Dallas and Dalia. INT. CLOTHING STORE – LATER It’s horrible for Tessa, and even George is basically having a panic attack in the mall. Tessa feels trapped, but is stuck. INT. DRESSING ROOM – CONTINOUS Tessa and Dalia have a conversation about where Tessa’s mom is. (She’s not dead, she’s… Gone.) FLASHBACK A Kramer Vs. Kramer reference explains quickly what’s up with the mom. BACK IN THE DRESSING ROOM Tessa and Dalia bond, kind of. INT. JAGUAR – LATER They all ride home. The kids are distracted. Dallas is dumb. EXT. ALTMAN HOUSE – LATER Tessa is whisked away by Sheila, as Dallas explains to George that she told Sheila about Tessa’s need for motherly love. INT. RUMPUS ROOM – MOMENTS LATER Sheila is awkwardly trying to mom. We also learn that Llisa and the Escalade D-Bag are her kids. EXT. ALTMAN HOUSE – LATER George confides in Noah. He doesn’t think this is going well with Tessa. Maybe Noah’s daughter, Jenna, can help? INT. TESSA’S ROOM – LATER Tessa is a druggy, boozey, grades obsessed girl. Tessa says, “I don’t think I’m cut out for the suburbs.” INT. DINING ROOM – CONTINUOUS George, Tessa, Jenna and Noah eat pot roast together. George and Tessa get in a huge fight. Tessa doesn’t need all these moms, she just needs George to be her dad. INT. BREAKFAST ROOM – DAY George and Tessa read passive aggressive books. Then Lisa comes over with an olive branch disguised as a breast exam pamphlet. Maybe things are looking up… INT. TESSA’S ROOM – DAY Construction noises inside. Then it’s revealed that there’s a subway sign in there. That little moment is all that’s needed for reconciliation, “A sign that he was trying to see things from my perspective. So maybe I could try too.” EXT. ALTMAN HOUSE – DAY Tessa gets on the bike that George bought her. Turns out, he needs to teach her how to ride. And it’s a sweet moment. INT. LIVING ROOM – THAT NIGHT George and Tessa are laid up from their bike accident, and the moms are swarming the waters. Tessa realizes, “It’s not just me who’s stuck in Suburgatory. Dad is trapped here too…” She then vows that they are in it together. And that maybe the moms actually do have some good in them. TAG EXT. MANHATTAN STREET – DAY Gladys the prostitute receives clothes in the mail from Tessa. It’s the clothes from A & F. GENERAL LESSONS This is an interesting technique. It opens Act Two… TIGHT ON the inside of a refrigerator. It is STOCKED with Sugar-Free Redbull. A TAN and MANICURED hand reaches inside and plucks one. We hear a DOORBELL ring. DALLAS (O.S.) Coming! REVERSE ANGLE ON-- DALLAS ROYCE, 40, with giant lips full of Juvederm and sizable fake breasts. She pads towards the front door in her miniature exercise clothing. We are--
1 Comment
6/19/2019 09:28:10 pm
Screenplays are what makes the drama club go. As the president, it is my job to appoint the proper people for the task. Well, I do not really pick favorites, often times, I decide on who the screen writers are based on their track record. While I am very passionate about those who have proven themselves, I still encourage people to give me something to consider. I love people who gives everything to win me over, that is for sure.
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October 2023
NOTEThese outlines are not polished and they are not politically correct. They are bare bones and often do no justice to the script or the writers of said script. Posting the outlines here so they can be easily referenced when working on new pilots. Also thought they might be helpful to other writers out there. Archives
October 2023
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